A sweeping overview of the contemporary artist’s long form study on America makes parallels to photographer Robert Frank’s The Americans (1958).
Read moreMatt Eich - The New York Review
Boys catching snakes, Thermopolis, Wyoming, 2011
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Boys catching snakes, Thermopolis, Wyoming, 2011
A sweeping overview of the contemporary artist’s long form study on America makes parallels to photographer Robert Frank’s The Americans (1958).
Read moreMatt Eich will exhibit and host a book signing at the Atlanta Center for Photography. We, the Free is the final chapter in a four-part study, The Invisible Yoke. The work was made over the course of 15 years, as the artist came of age, while the American superpower began a precipitous decline.
Read moreCongratulations to Matt Eich whose work is now in the permanent collection of the Cleveland Museum of Art, a meaningful marker for an artist who earned his undergraduate degree from Ohio University. Yet under 40 years old, Matt Eich, is approaching 20 years of making photographs; the nuance of his practice is reaching new stride.
Read moreInstallation view of Matt Eich and Tyler Mitchell: Sunlight, Shadow, and A Rainbow at the Cleveland Museum of Art, July 16 to November 6, 2022. Photo courtesy of the Cleveland Museum of Art
We are proud to share news that Matt Eich has been selected for inclusion in FRONT International: Cleveland Triennial for Contemporary Art 2022. Eich’s work has been curated into a 2-man show with Tyler Mitchell by Barbara Tannenbaum for The Cleveland Museum of Art.
Read moreWe are pleased to share news that Matt Eich was selected for inclusion in Photography Now 2020 at the Center for Photography at Woodstock by Andy Adams, who selected work from Eich’s Say Hello to Everybody, OK? (The Invisible Yoke : Vol. IV) a long-form photographic essay that attempts to condense the chaos of America into a controlled context of a historical document and a statement of personal concern.
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