Congratulations to Matt Eich whose photobook series The Invisible Yoke earned critical attention from the New York Review of Books. A Nation Deranged by Ben Mauk makes a sweeping overview of the contemporary artist’s long form study on America. In the article, Mauk makes parallels to photographer Robert Frank’s The Americans (1958). A lifetime later, Eich covers the same landscape as the master photographer with his own gripping effect.
The Invisible Yoke" “is an exorcism of America’s demons. . . it documents a period between 2006 and 2018, but the books appeared between 2016 and 2024, what we might now describe as the early Trump era.”
Through four volumes we are lead on a road-trip across America. Specific place-focused works compose the first three volumes, Carry Me Ohio, Sin & Salvation in Baptist Town, and The Seven Cities. The scope expands out into a more general and broad view of contemporary America in the last title, We the Free. This approach allows us to go deep, see parallels, and create expansive connections. Writes Mauk:
Tylor holding his father’s ashes, Carbondale, Ohio, 2007
Even when the subjects themselves are given space to speak, Eich’s images refuse to converge on a single meaning. They remain semantically open, like certain jokes. A woman on a couch grasps a pack of cigarettes in one hand and with the other salutes, a parakeet perched on her palm. A man studies a chicken in his living room with something like concern. An alligator is shot in the head at close range, its brains exploding into a river, firearm at the edge of the frame.
Some of Eich’s photographs are so bizarre that it would be a pity to explain them. In an image near the end of Carry Me Ohio, a zebra walks in a fenced yard as snow falls. The ground is white; the trees beyond the fence suggest deep winter. Internet research suggests that the zebra’s name is Elvis and the yard adjoins 10,000 acres of a reclaimed strip mine in Cumberland, Ohio, that is now a research center for endangered animals. But no explanation can displace the viewer’s first impression that a wild creature has been enclosed, unnaturally and cruelly, in a suburban backyard.
The Gallery presented two of Eich’s The Invisible Yoke series as solo-shows: Carry Me Ohio in 2016 and Sin and Salvation in Baptist Town in 2018.